Scooter are a German techno and hardcore techno band from Hamburg[1], who have sold over 14 million records and have earned 80 gold and platinum More

Scooter are a German techno and hardcore techno band from Hamburg[1], who have sold over 14 million records and have earned 80 gold and platinum awards, they are also considered the most successful single-record German act with 21 top ten hits on their rsum. [2] [3] The band is currently made up of members H.P. Baxxter, Rick J. Jordan and newest member Michael Simon. Although most of the band's early recordings are hardcore techno or hard trance, they also experiment with other hard dance genres like jumpstyle, and occasionally hip hop and house. Their trademark sound features spoken or shouted vocals, pitch-shifted chorus vocals and live performance elements such as crowd samples. Among their more well-known hits are "Hyper Hyper", "Move Your Ass!", "Fire", "How Much Is the Fish?", "Posse (I Need You on the Floor)", "Ramp! (The Logical Song)", "Nessaja", "Weekend!", "Maria (I Like It Loud)", "One (Always Hardcore)", "Hello! (Good to Be Back)" and "The Question Is What Is The Question?". In 1986 H. P. Baxxter and Rick J. Jordan met in Hanover, Germany through a small ad and founded the new wave band Celebrate The Nun. The band released two albums Meanwhile (1989) and Continuous (1991) and five singles. Initially, they started out as a quartet; however, Slin Tompson left the band in 1990 to start a project on his own. The main vocals were done by H.P. Baxxter whereas the female part of the vocals were delivered by Baxxter's sister Britt Maxime [4]. Not finding the expected success in the new wave arena H.P Baxxter kept working at the former Hamburg based Indie label (currently Edel Records) within the sector of distribution and sales where he met Scooter's future manager Jens Thele[5]. Soon afterwards, in late 1993, the former Celebrate the Nun members joined up with H.P.'s cousin Ferris Bueller under the management of Jens Thele to form a remix team known as The Loop, who became one of the top remix-teams in Germany, releasing various remixes for artists like Adeva, Holly Johnson, The Tag Team, RuPaul, and Marky Mark feat. Prince Ital Joe.Scooter started as a project in 1994. Their debut single "Valle De Larmes" (French for Valley of Tears) reached #8 on the German official dance chart. In April of that year, Scooter played their first live show at "The Palladium" in Hamburg, where vocalist H.P. Baxxter began freestyling to an instrumental dance track, thus the melody "Hyper Hyper" being born. At that point, Scooter officially switched from being a project into a band, and Baxxter's "rapping" became one of the band's trademarks. At first, "Hyper Hyper" was expected to be a small hit within the club scene only, which surprisingly enough became a platinum record selling 700,000 units [5][7] eventually reaching number 2 on Germany's Media Control single chart. The boys proved that they are not one-hit wonder band when their third single "Move Your Ass" reached number 3 within Media Control's single chart after a few weeks of its release. The follow-up singles from their first album And the Beat Goes On, "Friends" and "Endless Summer", occupied similar positions as well. The band maintained the initial technique of their sound throughout their second album, Our Happy Hardcore, until the style became noticeably different with their 1996 single "I'm Raving" (from the 3rd album Wicked) as the tempos were down to 138 BPM from their previous tempos which were between the range of 160 and 190 BPM. However, this didn't seem to refrain their fans from buying their records as the single got its gold certification eventually reaching no. 4 in Germany. A year later, Scooter became the first mainstream techno band to use a metal guitar riff in "Fire"[8], the first single from their fourth album, Age of Love, which went gold selling 250,000 units within four weeks of its release. [edit] Scooter in 19982002 In 1998, Ferris Bueller (Soren Buehler) left the group to pursue a solo career, and was replaced by DJ Axel Coon, who had been working with the band at the recording studio for some time already. Thus, Scooter entered the second chapter and soon after released one of their memorable singles "How Much is the Fish?" which shot all the way to number 3, selling well over 300,000 units and becoming another gold single. Their fifth album, No Time to Chill, which appeared in stores in July 1998, reached the number 4 position on Media Control album chart, which is considered the most successful album to date, both in Germany and abroad. The success kept on growing the secret of which H.P. Baxxter explains in his own words: Find out what you are unable to do and then go and do it. You can't afford to lose your curiosity or a certain healthy naivety, otherwise you might as well pack it up on the spot. If the element of fun is gone, it doesnt make much sense. And you need to stay credible. Rick J. Jordan's point of view is: H.P. comes up with the maddest ideas and then we have to see how we can build a song together. But that's why I love him, it's a real inspiration and you can be sure there's something worthwhile in there, once you get used to his style. I try to sort the creative chaos and add in my own ideas into the production process.[9] In July 1999, "Faster Harder Scooter", Scooter's first single from their sixth album, Back to the Heavyweight Jam, reached number 7 at home, same position was also occupied by the album. In December of the same year, right after the release of the single "Fuck the Millennium", H. P. Baxxter announced that he would henceforth be called Sheffield Dave, Ice, Screaming Lord and Candyman in future. "Back to the Heavyweight Jam", "Fuck the Millennium", the use of aliases and the spoken intro to "Fuck the Millenium" all heavily reference The KLF, who pioneered the concept of live crowd samples as part of their stadium house concept and White Room album. Scooter released their seventh album, Sheffield, in May 2000, which took yet another new direction including 6/8 rhythms on tracks "Don't Gimme the Funk" and "Sex Dwarf". In late 2000, after their second single "She's the Sun" (which portrayed the New Wave roots of both H.P.'s and Rick's), Scooter were awarded a Comet at the 2000 VIVA Comet Awards in the "Most Successful Dance Act" category. The band's 21st single, "Posse (I Need You on the Floor)" (the video of which is shot at the Fredericia dance festival in Denmark), happens to be the first song since "Endless Summer" to include a high-pitched-voice in the chorus. Their eighth album, We Bring the Noise, released in June 2001, included another single, "Aiii Shot the DJ". In December 2001, Scooter released their 23rd single "Ramp! (The Logical Song)" from the compilation album Push The Beat For This Jam, the video of which is based on the film The Fast and the Furious. The single shipped well over 200,000 units in Germany and went gold in many countries as well as platinum in Australia, Norway, and the United Kingdom where 407,000 copies of the single were sold. [edit] Scooter in 20022006 In the beginning of 2002, the band released their second Best Of album titled Push The Beat For This Jam (The Second Chapter). It was at this time that Axel Coon left the band to pursue a solo career in DJing and remixing, and Jay Frog became the new third man during which time Scooter recorded three more albums. As a quick way of introducing the new member Frog to their fans, the trio released a second compilation album in November 2002, calling it 24 Carat Gold. Their 24th single, "Nessaja" was a cover version of the title track from Peter Maffay's musical Tabaluga, and made a sensational entry with their new line-up at number one on the German official single charts for the first time. Scooter also enjoyed a comeback within UK charts, with 6 top 20 UK singles "The Logical Song" (UK #2), "Nessaja" (UK #4), "Posse (I Need You On The Floor)" (UK #15), "Weekend!" (UK #12), "The Night" (UK #16) and "Maria (I Like It Loud)" (UK #16) all charting within an 18 month period.[10] In February 2003, Scooter picked up the highest award in the German music industry for the single "Nessaja" at the Echo Awards 2003. In the same year, the video for "Weekend!" caused a real scandal with its scenes of topless dancers. The fans, however, didn't seem to be bothered by this debate, as the song reached number 2 on the German Media Control single chart. Scooter released their next studio album, The Stadium Techno Experience, in March 2003, which climbed to number 7 on the Media Control album chart. The single "The Night" became the last number to feature the high pitched voice effect and also reached the Top 10 in Germany. The next single from the album, "Maria (I Like It Loud)", was released in collaboration with hardcore producers Marc Acardipane and Dick Rules, reaching number 4 on the single charts. The song's chorus has become an anthem for many fans at Scooter concerts.. Mind The Gap was their 10th studio album which was available in three different versions (Basic, Regular and Deluxe). The 28th single, "Shake That!" flavoured with 70s disco sound was released on 4 October in most European countries, entering the German Media Control single chart at number 8 and going gold certification in the Czech Republic.[11] The Who's Got The Last Laugh Now? 2006 tour named after the 11th studio album was followed by the release of both the CD and the 2-disc DVD entitled Excess All Areas, one of the DVDs containing the final Hamburg-concert of the tour and the second containing every video-single released so far. [edit] 2006present On August 14, 2006, it was announced that Jay Frog had decided to leave the band to pursue a solo career and was replaced by Michael Simon who had previously remixed some of Scooter's tracks while in search of success with his "Shahin & Simon" project. On August 19 Scooter played at the Tufertschwil Open Air in Switzerland, where Simon debuted as the third member of the band. The single "Behind The Cow" was premiered at The Dome 40 in Dsseldorf on December 1, 2006, and was released on January 19, 2007. The song and its lyrics are based on "What Time Is Love?" by The KLF, the music video of which was shot in India and features rapper Fatman Scoop. Their 12th album The Ultimate Aural Orgasm, which includes songs like "The United Vibe" (cover version of Den Harrow's "Catch the Fox"), "Scarborough Affair" or "The Shit That Killed Elvis" (collaboration with Jimmy Pop, the frontman of American fun-rock-band The Bloodhound Gang, who co-wrote the song), was released on February 9, 2007. The second single release of The Ultimate Aural Orgasm was "Lass Uns Tanzen" which appeared in stores on March 23. On August 10, Scooter released a new single called "The Question is What is the Question", the release of which surprised many of their fans as they were expecting a third single from the current album rather than entirely new material. The band released a jumpstyle cover version of classic 70's track "How Do You Do" by Mouth & MacNeal. Scooter released their 13th studio album, Jumping All Over the World, on 30 November 2007, containing all three singles ("The Question is What is the Question", "And No Matches" and "Jumping All Over the World"). A limited edition of the album contains a bonus CD including all of their German top ten hits, from "Hyper, Hyper" to "How Much Is The Fish?" as well as a previously unreleased version of "The Question Is What Is The Question?[12]. November 2007 saw the band make their debut tour of Australia, never having visited the country before despite a #1 single there (The Logical Song) some 6 years earlier. They performed at the famous Scattered rave party in Sydney as well as in Adelaide, Brisbane and Perth. In March 2008, the group embarked on their first arena tour of the UK as part of Clubland Live, appearing alongside other All Around The World acts such as Cascada and Ultrabeat. During this tour, Scooter performed the retooled version of their fourth single "I'm Lonely" from Jumping All Over The World; the single was released in Germany on 18 April 2008. "The Question Is What Is The Question" was released in the UK the same week, charting at number 49. However, the band made international news in May 2008 when their album Jumping All Over The World unexpectedly entered at number 1 in the UK Albums Chart, replacing Madonna's album Hard Candy after just one week [13][14] . It is their first number 1 in the UK and their first album release there in five years. February 2009 saw the release of a Scooter tribute album entitled Hands On Scooter, featuring artists such as The Bloodhound Gang, Status Quo and Sido covering or sampling Scooter songs in different genres
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Powermix Fear The Future (Start The Panic Mix) From The Thunderdome 2nd Gen Part 1 - 2004 Disc 2 Thunderdome is a famous concept in hardcore techno More

Powermix Fear The Future (Start The Panic Mix) From The Thunderdome 2nd Gen Part 1 - 2004 Disc 2 Thunderdome is a famous concept in hardcore techno and gabber music, and is mainly used for an ongoing series of parties and CD-albums. It is organized by the Dutch entertainment company ID&T. Before the Thunderdome concept was started ID&T organized a big rave called The Final Exam, that was held on 20 June, 1992. This was the first attempt to bring hardcore and gabber to a wide audience and the first event organized by ID&T, who would later go on to organize other big dance music events such as Mystery Land, and Sensation White, and Black. Later in 1992 they organized the first Thunderdome party, which was simply titled The Thunder Dome.[1] In 1993, ID&T/Arcade also started a Thunderdome compilation CD-series with popular gabber music. ID&T also sold other kinds of merchandise such as t-shirts, bomber-jackets, caps and even an energy drink (Thundertaste). The Thunderdome concept was considered important to the popularization and spreading of gabber music during the 1990s.[2] Though it was the biggest and most popular concept in the scene through most of the 1990s, that title is now being rivaled by other events, such as the ones organized by Masters of Hardcore. In late 1999 ID&T took a break from the Thunderdome concept and stopped producing the parties and CDs. The break lasted until 2001[1], when they resumed throwing parties and producing CDs, which continue presently. After the re-start, the parties were held annually until 2007. Since then two parties every year have been held. In 2002 the concept for the party was the ten year anniversary of Thunderdome. A CD[3] that was recorded live at the party and an anniversary DVD[4] were released, both entitled Thunderdome a Decade. In 2007, the 3 CD set XV: 15 Years Of Thunderdome was released.
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